We all know (or maybe we don't... maybe I take it forgranted) that women are often cast in negative light or given weak characters in operas, especially many of the famous operas. When they are, many people recognize it. Very few people sit back and think, "Yes... cosi fan tutte. Women are always like that."
This book is interesting and brings up good points. I agree with a lot of it. I can't argue that often women in opera are used as props for the men to complete their story. I appreciate the analysis of it all. I love doing that kind of thing myself. I also disagree with some of her points. There are some connections she tries to make between operas and between myths about women that seem like quite a stretch.
So let's say that you read this book and you understand what she writes about. Let's say that you even live the emotion the author is sharing... how do you watch/listen to an opera? If you are angry at the way women are represented, can you enjoy the music or the story? Can it be beautiful and moving? Probably, but I would personally have a difficult time striking that balance.
All the characters have labels and many of stereotypical traits assigned to them. And yes, it frustrates me at times. But I can't be angry at Mozart for writing a certain story at a certain point in history from a certain social standing and gender role.
I also wish she were more succinct.
It's not a bad book, but some of the language makes me role my eyes. Give me good analysis without the constant sarcasm.
No comments:
Post a Comment